New
faculty Ky Johnston will show an extensive body of stoneware
in which he has explored the surfaces by cutting and stretching
the clay and by glazes which emphasize those surfaces. Johnston
says "I try to make things with respect for my materials,
for the history of my craft, and for the people who may use
my pieces." Mollie Rushing has a long-standing interest
in marbling on clay. Called "ebru" or "cloud
painting", Rushing's marbleized objects in the show exhibit
surfaces which have been treated with that design technique.
Also
working in traditional craft media in a contemporary approach
is Interior Design faculty Catherine Koehler. Koehler has continued
to explore fiber processes---the sewing machine used as a drawing
tool and
the combination of multiple elements of fiber, handmade paper,
and silkscreened fabrics result in bright and colorful decorative
pieces.
Graphic
design instructor Allison Melton will exhibit large-scale traditional
collages and digital collage prints on canvas and paper which
feature appropriated media images and her own photography.
Pat
Brown's body of work is composed of large mixed media drawings
and several small works incorporating black & white Holga
photographs made while traveling in the eastern United States
this past summer.
A
substantial number of art faculty are engaged in using the landscape
as subject, motif, and symbol. Whether landscapes are local
or discovered through travels, "sense of place" is
a compelling concept and all of the artists address it in individualized
ways. Duncan Baird's return to the Delta after having lived
in northeast Mississippi has found him responding to the austere
lay of the land and its unique configurations. His drawings
and paintings intend to evoke a feel of the land, the water,
and the sky of the Delta. Also addressing the Delta landscape
as well as old buildings and her father-in-law's farmland are
the digital photographs of Kathryn Cascio Lewis. She describes
her connection to artists who are similarly involved in sense
of place and enjoys capturing scenes she encounters around her
all the time.
Bill
Lester's images of Dockery in the form of collages and oil landscapes
will be a major focus along with his newly-designed turkey trumpets
and duck calls.
Kim
Rushing will offer landscapes photographed over the past 18
months while he was on sabbatical. His photographs were taken
both in the Delta and in the American Southwest where he has
traveled.
Going
further afield is Collier Parker who will exhibit five landscape
paintings done on site in Florence, Italy during this past summer.
In them, he has attempted to capture what a native Italian sees
and feels about his/her homeland. He chose unique and out-of-the-way
views, scenes a Florentine citizen would recognize rather than
ones a casual visitor to the city would encounter.
A
series entitled "Summer Solstice-Winter Solstice"
by Mary Anne Ross was inspired by the changing landscapes which
are emotional and timeless backdrops for the symbols and icons
that are part of her life and visual language.
The
human form, also a traditional subject for many artists, is
expressed and defined by Ron Koehler and Cetin Oguz in their
respective media. Koehler has returned to the human figure in
his sculpture. His life-size standing figures are created from
horizontal segments cut from wood and enhanced with color, texture,
or metal. New painting faculty member Cetin Oguz presents an
analysis of the human body through paintings which combine fluidity,
transparency and movements built within the void of the canvas.
The public is cordially invited to the opening reception and
to view the art throughout the month. Gallery hours are 8 a.m-8:30
p.m. on Monday - Thursday and 8 a.m.-3:30 p.m. on Friday, closed
during holidays. For more information or to schedule a tour,
call 662-846-4725.